Current organisational and creative transformations of Ukrainian circus arts

- Kashuba, Vladyslav

Editorial

- Arrighi, Gillian, Bollen, Jonathan

Popular theatre in Naples: the Sceneggiata

- Furno, Raffaele

Transportation, transformation and Utopia in musicals

- Eigtved, Michael

Via Vallen phenomenon: the emergence of the Queen of Indonesian Dangdut Koplo

- Riyanto, Edi Dwi, Dewi, Anita Sartika

Wonderland Eurasia: theme parks and Neo-Ottoman identity politics in Ankara, Turkey

- Tunc, Tanfer Emin, Tunc, Gokhan

“That sort of fairy tale’s no use in the New Victorian Age that’s coming”: the past as a metaphor for the present in Peter Nichols’s Poppy

- Sladen, Simon

Editorial

- Arrighi, Gillian, Bollen, Jonathan

Idolized popular performance: musical The Prince of Tennis and Japanese 2.5‐dimensional theatre

- Lu, Zihui

Laughter from Hades: Aristophanic Voice Today*

- Radulović, Ifigenija, Petkovits, Ismene Helen Radoulovits

Performing Shakespeare in Colonial Taiwan: early Japanese settlers and the bounds of theatrical imperialism, 1895‐1916

- Hsu, Yi‐Hsin

Premediating a narrative of growth: BTS, digital media, and fan culture

- Ju, Hyunshik

Virtual Experience in the Performing Arts: K-Live Hologram Music Concerts

- Chang, WoongJo, Shin, Hyung-Deok

Business as usual?: the changing structure of “the Italian company” during their Scandinavian tour, 1800–1802

- Gjervan, Ellen Karoline

Dancing Like a Brazilian: Negotiating Authenticity in Australian Samba Performance

- Shaddick, Lillian Jean

Inventing the tramp: the early tramp comic on the variety stage

- Granshaw, Michelle

Methodologies of the popular (editorial)

- Arrighi, Gillian

The celebrated circus tunes: music and musicians in an eighteenth-century circus

- Baston, Kim

Automata and Bêtise: contamination anxieties in late nineteenth-century French mime

- Purcell-Gates, Laura

Boos, tears, sweat and toil: experiencing the 2015 Eurovision song contest live

- Hay, Chris, Kanafani, Billy